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Letter of Oct. 30th, 1955 128 |
He is seriously considering the possibility of having a Bahá’í
Temple built in the Antipodes during the present 10 Year Plan,
on the Temple site already purchased in Sydney. This would
ensure a House of Worship in every Continent of the globe by
1963. Also, in view of the strong recrudescence of persecution
and hatred of the Faith in Persia he feels that to erect Temples
in Africa and Australasia—where it is possible to do so—would be
a great comfort to the Persian believers and a befitting response
to their enemies who may well make it unfeasible to build the
Tehran Temple during this Plan.
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In view of this he wishes you to approach qualified architects
and request sketches—preliminary studies—for this Temple,
which you can submit to him as soon as possible and from which
he can indicate the one he feels would be most suitable. He
makes this suggestion of studies first because the recent drawings
submitted in competition in Germany (and forwarded to him)
were all highly modernistic and undignified and a lot of money
and time was spent for nothing. There was only one he considered
at all possible, and this was not chosen by the judges;
necessary qualifications: a building nine sides, surmounted by a
dome. Note—circular building. Seating capacity 500 with possible
additional seating in a balcony at a future date. Height 40 to 45
meters. Note: no assembly hall is to be included, only auditorium
for worship, with no surrounding rooms, is necessary. Extra
rooms for maintenance, toilets, caretaker, can be in basement.
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There is no reason why it should look like the Chicago
Temple; on the other hand, he feels these ultra-modern, often
bizarre structures are not at all in keeping with the dignity of
our Faith. The type of dome on such structures as Mason
Remey’s Temple for Haifa, the Shrine of the Báb and St. Peter’s
in Rome he considers beautiful in proportion and suitable. The
style is naturally a question each architect would evolve for himself.
What interests the Guardian is the symmetry of the ensemble
and dignity.
129
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